Because the b1 has been designed primarily with beginners in mind, the keyboard has a relatively light action which is very easy for newbies to get to grips with but at the same time perfectly suitable for the more intermediate or advanced pianist. It feels exceptionally responsive under the fingers, and as an acoustic instrument it exhibits exactly the degree of natural expressiveness that digital pianos try so hard to emulate. Rapid playing of repeated notes is easily facilitated by the built-in single escapement action found as standard on an acoustic upright - no faking it here.
Recensione Vintage Upright Piano
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As you can see, a fairly standard set of specifications for an upright piano. However, this is anything but a standard piano. These pianos are built exceptionally well, and are very versatile.
The Fridolin Schimmel upright pianos are named after the brother of founder Wilhelm Schimmel, these instruments are completely designed by Schimmel in Germany and made by their strategic partner, Pearl River, in China. Every instrument is fully checked and prepared by the factory in Braunschweig to ensure their excellent quality before being despatched to the dealer.
It may come as a surprise to learn that Pearl River is the world's largest piano manufacturer by far; producing approximately 140,000 pianos per year. Forsyth has visited their brand new "State of the Art", climate-controlled and highly automated production facilities where the Fridolin range is produced, overseen by senior Schimmel technical staff. Every detail of these uprights has been designed by Schimmel piano engineers, including the action, acoustic assembly and casework. The result is a piano that is not only great value for money but clearly belongs to the Schimmel family of sound and touch. The action is accurate and responsive, and the sound is big, rich and full; in true Schimmel style, it belies the instrument's physical size.
This effect section combines a three-band equalizer with a sophisticated amplifier and speaker cabinet modeler. Classic amplifiers and speakers are a crucial part to make vintage Electric piano sounds come alive. Nord offers the famous sounds of speaker simulations of a Twin Reverb, a Jazz Chorus 120 and a Wurlitzer speaker. When no Amp Model is selected, the unit provides a neutral three-band EQ with sweepable mid and a crunchy overdrive.
Nevertheless, I Am the Resurrection is resolutely a guitar players' album, with 12 of its 13 tracks centered upon Fahey's main instrument. (Only Howe Gelb has the horse sense to transpose the ragtime of "My Grandfather's Clock" to an upright piano, noting astutely that Fahey played guitar like a piano player.) In addition, the collection possesses an air of reverent nostalgia that likely would've irritated Fahey to no end. Nearly all of the songs gathered here originate from his classic 60s Takoma albums, ignoring the more dissonant, abstract material of his later years almost entirely. 2ff7e9595c
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